Tuesday, 31 March 2009
Progress
Friday, 27 March 2009
Re-record Mr Meade's voice at gate
We had to re- do the voice over as we were not able to hear his voice in the previous clip.
There were issues of non-continuity, as the weather was different from when we had filmed this clip previously. However, we resolved that problem by only recording the wind so that we can use that sound in the actual clip.
Wednesday, 25 March 2009
To do list- 25/03/09
- Re-record Mr Meade's voice at gate.
- Re-do over the shoulder shot.
- Re- Edit walking before mirror.
- Shoot hands and scalpel - (p6 25/3/09)
- Adjust music (leave until last)
- Credits (next week)
Monday, 23 March 2009
Progress
This is the opening credits from Se7en. What I particularly liked about this opening were the enigmatic shots and the hand-written style of the credits.
I feel it appropriate to apply these techniques to our opening. We could film enigmatic close-up shots of medical instruments in a lab. This would increase the tension as the audience are invited to understand the disturbed nature of the character. I feel it could also get rid of the humour that I am anxious about having created. I am concerned about the abduction scene as the gynaecologist is dressed up in ladies clothes, instead of it looking like a genuine disguise, I am worried about it looking like a joke.
Friday, 20 March 2009
Thursday, 19 March 2009
Progress
Tuesday, 17 March 2009
Reflection on progress
Props List
1. Wig
2. Long skirt
3. Long scarf
4. Black top
Mindy.
1. School uniform
2. Large backpack
Classical music - Panic room
Tuesday, 10 March 2009
Storyboard



These are samples from our storyboard. By storyboarding our opening sequence we now have a sense of direction and a plan to follow. We may along the way change some shots, they may either be too difficult to construct or turn out different to what we expected. However, we are now ready to begin shooting. We have to meet with out actors to discuss suitable times to meet up.
Friday, 6 March 2009
Progress report: Week beginning 02/03/2009
Wednesday, 4 March 2009
Character Profile
Mindy
- 14 years old
- Dressed in school uniform - long skirt, dolly shoes, bow in hair, blonde hair
- Bright student, teachers favourite
- Polite, pleasant, well spoken
- Sometimes stays after school to help out
Stanley Parker
- 30 years old
- Qualified gynaecologist
- Living in central London with his ill mother
- Fathers absences leads to deep rooted frustrations
- Obsession with young females
The care taker
- 46 years old
- Introvert personality
- Has been working as the care taker for nearly 20 years
- Very layed back
Tuesday, 3 March 2009
Treatment
Stanley Parker is a 30 year old qualified gynacologist living in central London with his terminally ill mother. His traumatic upbringing in the constant presence of his mother's frequent lesbian lovers and lacking a father figure lead him to his present obsession with female bodies.
In the basement of his Edwardian house where he spends most of his nights, is a private laboratory in which he undertakes indepth research and inhumain opperations. His usual subjects being young innocent girls.
Monday, 2 March 2009
Progress and plan: Week beginning 02/03/09
This week the plan is to have the Film treatment posted, along with the character profile. We also want to begin to approach people asking them to partake in our production. Due to our character profile we have a firm idea of what type of person we need, this has made desicion making clearer and we have a good idea of what exactly we are looking for.
We will also begin to collect props, and organise which teacher's car we can use for our shooting.
Product research
After watching the opening sequence of Gothika several times, I noticed the use of camera movement and long shot duration were used when introducing Halle Berry, the protagonist. We have decided to adopt the long shot duration, panning movement and mid shots in order to introduce the character. We feel that not only will the mid-shot set the setting and act as the establishing shot, but it will also allow the audience to familiarise with Mindy.
Although I am aware I was requested to discussed one film only, The Collateral demonstrates good use of sound (2.28 minutes into the clip). As our opening sequence includes a car we are likely to borrow this technique, we feel the sudden silence would add greatly to the atmosphere and act as a symbol for the isolation Mindy is about to experience. This will also provide us with the opportunity to contrast the silence with louder music to indicate danger as the car is shown driving off.
Audience research
Other people said "I prefer to develop an understanding as the film goes on. You don't have to understand everything about the character- some should be left to interpretation" and "I think it's useful to have a little understanding of the main character but for there to be an element of their personality/ history to remain enigmatic and mysterious"
This question has informed us at to what dialogue to include in the opening sequence, It has also influenced our choice of shots.We have decided to allow the audience to familiarise with the victim in order to encourage the viewer to feel sympathetic towards them, the protagonist, who is psychotic is left enigmatic to the viewer. However if the film where to continue then his history and background (as written in the Treatment) would be uncovered.
The majority of people said they preferred a mentally disturbed character. Meanwhile one person said the preferred if the character was "three dimensional," as they where "believable". Although it could be argued that 'Stanley' the protagonist is not entirely believable (according to the Treatment) nothing dramatic happens in the opening sequence and nor do the viewers obtain a good opinion of him that could suggest his character in not believable.
Our questionnaire allowed us to make informed decisions, with the audience research available we can now ensure we cater to the wishes of the viewers.